

- #Pinnacle video capture devices how to#
- #Pinnacle video capture devices manual#
- #Pinnacle video capture devices full#
- #Pinnacle video capture devices software#
- #Pinnacle video capture devices tv#

With analog footage, sifting through and finding the scenes to include in your project can be extraordinarily time-consuming. The tab to the left is the Capture Source tab ( Figure 4.4), where you choose your capture device and scene-detection options. It will open to the default Capture Format tab ( Figure 4.3), where you select your analog capture parameters.
#Pinnacle video capture devices how to#
You'll learn how to operate these controls later in this chapter.Ĭlick the Settings button at the lower right of the screen to open the Setup Options dialog box.
#Pinnacle video capture devices tv#
You open and close these wings by clicking the TV and Speaker icons on the sides of the Diskometer (video on the left and audio on the right). In addition, the Diskometer has sprouted wings, with controls for selecting and customizing analog video source and input on the left, and controls for enabling audio capture and setting volume on the right.
#Pinnacle video capture devices full#
However, the DV and MPEG capture options are replaced with Good, Better, Best, and Full DV quality capture settings. The Diskometer for analog capture looks vaguely similar to the DV-capture version, at least on top, where it displays the space remaining on the capture drive. That's because the lack of a FireWire or similar connection for analog capture prevents Studio from controlling the camcorder. If you study the analog capture interface in Figure 4.1, you'll see that the Camcorder Controller, present in the DV interface, is missing in action. The Player's sole role during capture is to preview the incoming video and provide information about dropped frames you have to switch to Edit mode to actually play the captured files. Note the lack of playback controls in the Player window. Once you start to capture another file, your previously captured files disappear from the Album-but don't worry they are safely stored and accessible in Edit mode. Either way, no user intervention is needed to store the files. Studio may store captured files during capture, or it may store them immediately after capture, as in the case of MPEG files, which must be converted before storage. Its three main components perform the following roles:įigure 4.2 The Album, with scene detection enabled. The Analog Capture InterfaceĪs you would expect, Studio's analog capture interface ( Figure 4.1) contains various controls for adjusting your analog capture. But if you do, Studio can definitely handle it, as you'll discover near the end of this chapter.
#Pinnacle video capture devices manual#
The best approach is to use this chapter as a guide and then consult the manual or Help files that came with your analog capture card for fine-tuning.īecause 16:9 is primarily a DV-enabled format, you most likely won't want to capture 16:9 video in analog mode. Although Pinnacle attempts to present a standard approach for analog capture in Studio, differences among the various devices abound.
#Pinnacle video capture devices software#
Note that while DV capture interfaces are relatively standard among different cameras and FireWire devices, analog capture devices and their software interfaces can be as different as snowflakes. With some care and frequent checking of your captured files, you should be in great shape. To paraphrase Zorba the Greek, the sheer number of options can easily turn analog capture into "the whole catastrophe."įortunately, Studio simplifies the process with some well-designed presets and an excellent interface for making all the choices and adjustments necessary to capture analog video at top quality. While DV capture is a simple file transfer with few settings to worry about, analog capture involves a plethora of controls, including resolution, quality, brightness, volume, and much, much more. Pinnacle Studio 11 for Windows: Visual QuickStart Guide
